Got another roll of it heading into the night? That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! An ND (or several) will make your project more manageable. By the time I picked up a roll in January this year, it was again because I was shooting a slower-lens in the winter months. So develop a relationship with and love your lab. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. So if you have an ISO of 100, then the shutter speed should be 1/100 (or its closest conservative setting of 1/125s). Cinestill says their film is faster because they remove the remjet layer of the film. Cant argue with that fine grain, either. If you can get a fast-enough shutter speed at ISO 400, use that. Id really like to see what you do with it looking back, I wish Id known about it sooner. So I wanted to know if Portra 800 was just as flexible. Get your work featured on this website, our mailing list, and social media. The CineStill 800T adaptation utilizes a C-41 processing method. In this case, pulling Delta 3200 to ISO 400 or 800 will give you . Low-light settings will have a brighter image than the 100 film speed, but it will appear overexposed on a bright sunny day. The Sunny 16 Method I am old school and just curious about the settings on Film camera. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. It . If you're looking for a film that you can reasonably use indoors without a flash, but which will also work outdoors in a pinch, go with ISO 400. The number of distinct words in a sentence. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. Thanks for your input! It's only one stop slower than ISO 800, and two stops faster than ISO 100. Picture a lens filter with an orange-tinted colored piece of glass in front of it. In the days of film cameras, the ISO body would rate film's sensitivity to light, giving it a speed and ASA rating. It single-handedly converts your emulsion to daylight-balanced stock. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . s Color Balance tool to alter the image so that its grey tones appear natural. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . Thanks Aukje! Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? For such high ISOs you probably want an with a density of 5 or 6 stops. I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. About white balance and colour temperature. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. Its really great to read about your experience with Portra 800 as Ive been using Portra 400 exclusively, rating it at 100 with results Ive been really happy with. Try rating around ISO 200 for beautiful colors and skin tones. . The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. Mar 21 . With some careful exposure and scanning, even with very high contrast scenes, I was able to pull stacks of shadow detail with very little detriment to the image quality. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. Its fine grain, high contrast. CineStill 800T sells out quickly wherever I shop making hunting it down an adventure each time. Kodak Portra 800 is quite possibly my favourite colour negative film. Read Kodak Portra 800 A Review []. I can already tell it would be too sensitive for that. Another is to shoot the film at 400-500 ISO. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. Thanks for contributing an answer to Photography Stack Exchange! However, I still prefer the precise, granular control and the interface of the Color Balance tool. #16. So, in general, you can shoot at a very low ISO. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. Rated ISO 200-2000! This just tricks the meter into over exposing the film. Tonight I'm going to a little get together indoors and wanted to try it out. //
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